Amazing Celebrities Sites

Mischa Barton


Nudity Rating:
MrSkin.com has:
5 Pics, 45 Clips

The early success of The O.C. got us ready to O.D. on the Q.T. that is Mischa Barton-and we sure had to wait long enough for our bart-ons to be barely legal. Mischa wasn’t the kind of gal we’d want under our bed in The Sixth Sense (1999), and not… >>> read more

See her full Review, Pics and Clips!!!

1 Clip, 2 Pics from Jessica Mas in Rudo y Cursi


Nudity Rating:

4 films, 12 Pics from Min-Sun Kim in Portrait of a Beauty


Nudity Rating:

Related Posts:
Hollywood Sex Scenes Watch Online -
1 Clip, 2 Pics from Lara Fenton in Dark Rising -
The Hot Former Playboy Playmate of The Year Victoria Silvstedt Soaking up Some Sun -

Sexy Hollywood Actress Galleries:

Description of this naked celebrity picks gallery: Michelle Johnson Click here for the naked celebrity picks gallery

Description of this strangled female celebrities gallery: Mariah Carrey shows her tight sexy body in front of the camera Click here for the strangled female celebrities gallery

Related Posts:
Teen Celebrity Porno -
Delicious Ciara Shows Off Her Chocolate Nipple -
Nude Stars -
Classic Nude Actress Gallery -
Paris Hilton Enjoys Some Well Needed Free Time at Cannes -
Christina Ricci Photos -
Glamour Shot Dresses -
Babes Catfight Topless -

Jennifer Lopez Shows Off Her Juicy and Delicious Butt

Here’s a couple pics of Jennifer Lopez vacationing in Italy and she’s sporting a two piece showing off her figure. She has to have one of the best asses in the history of Hollywood. I mean I know Latinas and plump asses run hand-in-hand but hers is just something special. We never get to see it in a two piece either and I struggle to write this because my stiffy keeps getting in the way. That juicy celebrity butt is enough to cause one to cream their pants. See the hottest celebrity content, learn the Hollywood gossip and more from Celeb Heat.

CLICK FOR MORE saucy CELEBRITIES

1 Pic from Sara Marsh in Sugar & Spice


Nudity Rating:

Related Posts:
Ashley Tisdale Lets Us Take a Quick Look at Her Undies -
#4. Asia Argento in Scarlet Diva (2000) -
Hollywood Hottest Sex Ever -

The Wrestler

Enough has been written already about Mickey Rourke’s real-life parallels with his fictional character in The Wrestler. Yes, it makes the story seem even realer, and is perhaps what attracted Rourke to the project. (Or perhaps not perhaps, instead, it is what attracted Darren Aronofsky to the actor.) But to focus on such surface similarities seems like an undermining of his work here. Rourke may not be as out-of-his-comfort-zone as Sean Penn in Milk, the only other Oscar-worthy lead performance this year, but that is merely a testament to his fundamental understanding of his character: Randy is an understated guy with massive scars, both literally and figuratively. He’s been wrestling for years now reduced to borderline tribute shows in front of dwindling crowds, scrounging up barely enough cash to buy the variety of drugs and steroids he needs to maintain his weight. He lives in a trailer park and gets locked out for not being able to keep up rent. He works part-time at a grocery store and visits strip clubs regularly, because it’s the only place where he seemingly has any meaningful connections with another human being namely the dancer Cassidy (played by Marisa Tomei), who is similarly a bit older than most peers in her “profession,” yet doesn’t really know any other way to live.The Wrestler draws immediate comparison to the classics of working class cinema, including Rocky and On the Waterfront. Sylvester Stallone returned to his iconic character two years to bring resolution to the life of Rocky Balboa, the Philly boxer who got back in the ring for one final match . It was a good film and touched on similar themes a nice guy stuck in a mean world, an estranged child and ultimately both mpegs present us with the dilemma these men find themselves in: too old to continue doing what they know best, and too old to learn how to do anything else.Whereas Rocky Balboa was a trip down memory lane, it was hardly as bleak or frank as The Wrestler, which is a vastly superior film. Darren Aronofsky has established himself with this photograph as one of the most important of modern American filmmakers; to acknowledge that this work is from the same guy who directed The Fountain is astonishing, because they couldn’t be farther apart on a sylistic level. The Wrestler is grainy, low-key and rough. It isn’t polished, fantastical or elaborate. And that suits the material perfectly. The fact that Aronofsky was willing to almost entirely reinvent his approach for the benefit of the story is more than admirable. He deserves a nomination.Tomei is wonderful in her supporting role, fleshing out her character (again, both literally and figuratively) with greater competence than most actresses would probably be able to manage, because it’s a fairly obvious role the “stripper with a heart of gold” who is the object of desire for the gruff guy with a tortured soul. Yet she manages to strike a balance in the film as one of two female roles, the other belonging to Evan Rachel Wood as Randy’s emotionally severed daughter.The Wrestler is impressive for all its smaller parts as well as the larger ones. When Randy goes to visit his daughter, the reaction is fleeting; it’s not overly dramatic and revelatory, like most videos of this nature often create such scenes to be. We can tell by her reaction that it’s not the first time Randy has attempted to reconcile with her, as she seems unfazed by his appearance on her doorstep. It is in this fashion that the film jumps through all the mandatory hoops of its genre (think, of all things, The Royal Tenenbaums), yet still manages to seem fresh and realistic.And then there’s Rourke. As aforementioned, he deserves the Oscar nom he’s likely to receive. And he should probably win. This is one of the best performances of the decade, perhaps even of all time, if we really want to get down to it. It’s the best work of his career, at once the most fully developed of his characters and the most imperfect. Randy isn’t airbrushed to make him seem more appealing to the audience; Aronofsky and Rourke exploit his faults and present him as a normal jock, tempted by vices and haunted by his past. Yet we recognize that the drugs, the empty sex and the generally self-destructive behavior Randy partakes in is rooted in the same emotional enguish that the actor himself seems to carry with him; Aronofsky spotted this quality in Rourke, and he fought the producers for Rourke over their first choice (Nicolas Cage), and his dedication paid off you’ll be hard-pressed to find a more convincing, moving or memorable lead performance this year.Ultimately, The Wrestler is one of the year’s very best movies a character study that is at once timeless and powerful. And it’s helmed by a director who has managed to bounce back from an aesthetically pleasing but shallow art-house film to produce one of the great works of American cinema in the 21st century.